“Iconic Guru Promotion of VERSUS Feat. Nine Inch Nails – a Sequel of YEAR ZERO”

Posted in Uncategorized on April 1, 2021 by Amonn+Shangrilla-Dolls™

NOTICE:

1°/ V3RSUS IS DISTRIBUTED AS AN ICONIC GURU VERSION STREET ART.

A 1ST ARTISANAL PHYSICAL EDITION PROPOSES A DOUBLE-CD-R OF 50ex TOTAL LIMITED. 2ND ROUND 50ex copies renewed if SOLD OUT for FANS CHANNEL. A TOTAL OF 100ex = 1/100. SIGNED-NUMERED.

FAIR PRICED 20 USD+INTERNATIONAL SHIPPING.

PROMOTED audio SAMPLERS only at REVERBNATION. THIS DOUBLE CD SET WILL BE AVAILABLE TO BUY AT SHANGRILLA-DOLLS LABEL IN JUNE.

1°/BANDCAMP WILL HOLD THE ALLURA ORIGINAL ART-SLEEVE of V3RSUS ; A COMPLETE YEAR ZEO EDITION FOR DIGITAL RELEASE ONLY.

The nice idea with the AMONN REMIXES of YEAR ZERO is to create VERSUS. The antinomic refutation could be the one COMPLOTIST amongst many theories but Year Zero production is old from 11 years – so it is just a mirror. Getting into a critisizm facing with the narrative of some TRIBALIST and his prophecy is of a greater actuality in the present time and easy but will not design a future. Indeed it is more easy to prospect in the camp of those who critisize but most people have even yet lost this sense. You’d see that anyone pretending to be a GURU belongs now to a determinated TRIBE that is not moralist but normative ; it imposes the merchandizing; – speculation was a profit in the now but what if there is no tomorrow?. Bankers have become also Merchants: -try this – buy some- became the legalized corruption ; and for instance – everything is for sale!

Copyright is not much anymore respected ; on principle quantitative easing is more than tolerated. I have chosen iconoclasty of Jean Michel Basquiat and Andy Warhol introducing the emblematic figure of the Chief of the Tribe as an URBAN GURU ; Trent Reznor leader of Nine Inch Nails becomes the personification – “RAGGA KHAN”.

Last year I found in my attic, a precious scarf HERMES 1970 produced for the “Horses Races Criterium” gifted to my Grand Father by his Highness Aga Khan. Here some precision about who was AGA KHAN ; as its name indicates a KHAN :

Aga Khan is a title held by the Imām of the Nizari Ismāʿīli Shias. Since 1957, the holder of the title has been the 49th Imām, Prince Shah Karim al-Husseini, Aga Khan IV. All Aga Khans claim descent from Muhammad, last prophet of Islam.

As a contemporary deconstructivist pendent getting in the public image of Nine Inch Nails with Versus Remixes – there is a concept treasured by those modern curators and merchants who generally promote a mediocre painting ; a disrupted art or an installation made of recycled untemporal poor materials that will desagreggate ; not made to everlast nor elevate the mind. An art perishing like an old RELIC – just as the old generation who raised us and had taught to have a respect for the nature.

As relic is the idea here ; there is represented : a SKULL ; the HAND-THAT-FEEDS from the presence ; Ragga Khan ; Rexy the Dino (Remixer) ; Andy Karolingian ; Rino Feroce and maybe plenty of other ideas held as a slight digital street-art promotion getting along with NIN-VERSUS and J.M. BASQUIAT.

RAGGA KHAN affirms the electoral democratic process of the tribe as an UBUESQUE decline of the politics in the ideal. For he claims that he never had seen out there in our civilized world: any Culture nor a Democracy. Still a partisant system remains only as a marketing framing the production quantitative but no quality – and it describes well the MUSIC BUSINESS and INDUSTRY and how money was so important to finance all media by associating the BANK. The mercantile Saturnist idea giving HYPERPOWER! such as an anarchic destruction pertains in the form of a SAURIAN technocratic Tribe disposing of the budgets to accomplish the prophecy. As read in the TRIBULATIONS. Where an old materialist PATRIARCHAL ORDER resides in need of a SACRIFICIAL RITUALISM. This to continue to exist and remain as NEW ; fed by the younger’s blood and flesh : A cannibalist society justifies our remains of the days.

  • Influence would be driven by “The Little Prince” from the French author Saint-Exupery, that David Bowie tributed often with “Reality” as meeting with the Snake in a desert (“Cactus” song is that reference). This one is proposing to bite him in-teeth for a promise that it wouldn’t “hurt”. It is describing the heavy drained generation of Reptiloids we know ; materialists and decievers. And it forwards to a tribalist and cabalist collective suicide of the entire younger generations.

Insider of a more prophetic definition it forwards to the Ancient-Testament.

Year Zero VS Versus:

There might be “Another Version of the Truth” (Versus) ; that is kept hidden like a veil – but life continues and “NOTHING HAS CHANGED”. “Capital G” projects us all in a – Global Reset 2022 (Year Zero) to acheive in the edifice.

The Remixes STREET ART VERSION will be spread worldwide ALTHROUGH FANS – WITH LIMITED CD EDITION 1/100 LIMITED.

BANDCAMP will carry the ORIGINAL DIGITAL RELEASE for SHANGRILLA-DOLLS LABEL.

Trent Reznor aka Ragga Khan

In a manner to give a name to each REMIX that is a Featuring of the band ; Ragga Khan is one of our titles for “GOD GIVEN”.

Rexy the Dino Remixer-Spinner

Andy Karolingian art – a worshipping VERSION of Ragga Khan in his Ministeries

“Telling No Lies…”

Posted in Uncategorized on March 8, 2021 by Amonn+Shangrilla-Dolls™

So far so good… very happy to finish this work soon – it will leave my print deep-anchored in there as a real surgery ; a work of precision and sharp re-arrangements:

  • “Yet I hardly can listen to the Official version YEAR ZERO anymore with this…” It is super appealing!

The job AMONN VERSUS ft. NINE INCH NAILS advanced slowly but surely and would be ready to distribute as soon as possible in a format 320KPS for public streams. Creative-Commons will be registered as legal for authorship from Shangrilla-Dolls Label™ side so that there is no argument. An idea here as it is titled VERSUS ; I wonder if I will not place the tracklist reversed starting with ZERO SUM.

When satisfied with the final Mastering – I supply it in my computer’s iTunes to review and calibrate what I pick-up perfect. There is no art sleeve for heavy standard PCM 24bits/48Khz. Db is harmonized for each TRACK at -0.1 Limit ; the sound is homogenous with great bass enhancement and a sustaining hall feel. There will be 2 ; 3 Add -ons later like B-Sides of the some tracks Remixed differently. Proof as seen here below.

There are: 2 Masters to acheive and 1 track left to Remix for VERSUS…

Some modifications here to show the REMIX edition ; this for this track – The Greater Good – it needs much precision on each track to get in a new production with different arrangements – to fit the epoch operated in same version LIVE8 :

When a layout is done at 48KHZ-24bits ; that all is levelled proper – I pass on Mastering trims for Fairchild adjustments and a limit light in brickwalling. No Eq’s or other tricky BUS inserts must be added. If the final layout is bad – it means it is your entire Remix that is unbalanced. The proof must be cleared – I do simple and natural. That way an analog simulation is added to the limit as shown will be a -0.1db ; it is our maximum once the compressor had given a relief to the mix. This shall give for noise-metal-industrial as Nine Inch Nails a very nice top notch result!- like for the analog grain of a B&W photograph out of a quality gelatine.

Damien Veen

“Another Version of the Truth…”

Posted in Uncategorized on March 6, 2021 by Amonn+Shangrilla-Dolls™

For this track – I will not alterate nothing – I am not entitled to change the Truth…

I seek for it in my soul an conscience… I am a searcher.

When you listen again to this track after 10 years ; I didn’t take back this Album out of my trunks anymore ; I had moved since few years: – you will see that this is the only track true to Trent Reznor. It is an instrumental. So why is this track sincere?

– First because the vocation of Trent was to produce soundtrack to the movie Industry – an exploit to interfere and get accepted in this profession because it is a club of people. NIN performances look spectacular and great but they exhaust energy of the body as well as they would alter the psychism through the metabolism. For David Bowie ; let’s say his fans killed him! Also he had no post-control to get to know his limits. The stage pressure, the effort – is a Psychopomp – you give energy while you receive too much and it becomes dangerous in excesses for the artist/performer.

It is my last track to work and I shall loop the loop. Then I will be using my process but I won’t change it much in the manner that the track was ordered. After all this I am doing a last check of volumes balances and brickwalls upon each [VS] Remix – and so – it will be ready and when I feel it is “perfect” I am done. These last days ; I wondered – will I promulgate these Remixes finally to stream? Not sure I wanted to push it all ; not much a desire since I am done with all the process now – it was a big effort for my ears. – Now ; I like to be the only one to listen to what I do – it is very strange how it happened to me! – I continue the music as I did always much personal : but in those moments I am the only one to hear what I have created. It is not a conversation with myself. Maybe with someone above me.

About the NIN [Versus Remixes are no longer V2] ; the problem is that : – it is actually a Creative-Commons that is produced but a CD-R release is a problem in the copyright even though it could have been a nice objet to collect. I induldge that I have not signed authoring for that – nothing is official. So?… I would have wanted to give it for free – and/or to stream the integrality of these Remixes. What I shall do. It is delivered presented as a 320 KPS for SoundCloud and Repost. The MPEG-3 is layered down from this original 48Khz-24bits proof result new Master. As per technics – it is passed through the analog Fairchild 670 compression that has a nice grain and a brickwall is applied as a BUS but very light – so it won’t elapse the 0db. Then ; I have the HD result that I could later eventually propose as a CD-R. I dislike the internet distribution in the NOW – but what to do? Live & well at this epoch is such an awful disgrace. Boys Don’t cry! Nothing really matters… – All this circus really looks like a joke…

Above ; you can look how I see the idea of “The Hand that Feeds”. No clue? Hmm… Make up your mind.

This release ; was a tremendous work – it can only be proposed as a [ft. Nin] because I had used the files but I have entirely re-arranged the original Band production from sources ; added more instruments – synths and pianos ; guitars and choirs and more… For the streaming-media – the Art-Sleeve is this one represented and for a CD-R it could be the previous one with another tint.

That is it. I’d feature the result of the brand new arrangements as soon as possible : but I don’t need a judgement ; the production is standing at last solid and very sharp.

I think a great effort yet to make it – AMONN VERSUS -YEAR ZERO NIN –

Thank you very much for having supported me so far: Beefy is a fan ; he pushed me to finish the full Album – telling me it was a great idea. If not? – Well ; if I had not received any support from a real fan of Nine Inch Nails ; I had not even thought to start the follow-up transition YEAR X (4 Tracks) to VERSUS COMPLETE. He directed me to the fan world that is unknown to me althrough the internet and that I cannot reach anyway on my own ; because my overlook is of an outsider. The fan scene is not the same as a collector and someone deeply concerned with the industrial music stage. I have appreciated this because – I really ain’t a fanatic of anything it states! Maybe as state of mindShirley Manson has a song performance of Garbage titled : I am only happy when it rains!

Damien Veen.

“The Phonies of Nine Inch Nails lyrics: Revisionism”

Posted in Uncategorized on March 3, 2021 by Amonn+Shangrilla-Dolls™

There had been a long epoch of contemporary-research by reducing harmonies and getting into the srtructural synthesis. Very simply because the research advanced upon the electric manner to transduce sounds. A performance brought into a recording is made as a witness being proof that can be recovered as long as you wish to hear with no alteration with digital process – but it is now very limited like most of our senses ; as it issued compressions to pass bandwith of tight channels upon the internet. Harmonies get downgraded also by these oscillators to the point it will add some extreme distortion and it will give all this synthetic you are used and sometimes pleased to hear.

You had reviewed just like me the lyrics of many artists to try to comprehend what they wished to express as : – David Bowie and Nine Inch Nails -. Most of the time what you read isn’t exactly what you can hear even if it sounds to you so much professional. Might it be a phonic transgression ? : Any progressive sound is eliminating harmonies by default and it is called “substractive” apart from samplers already compressed at the output. It is no longer much pure as a violin live-act that you hear in a room. I am witness as a musician of what I hear and then I had chosen to tell you my testimony taken from the deep review of the song “Meet Your Master”. It is only here – per example.

I might not hear the vocal like you consumer and fan of this Band because ; I had to train my ears for years upon Sennheiser headphones (they are precise and respect the aural human architecture and its physiology) ; to arrange ; compose or even remix.

  • What is there presented subjects that you are much disoriented – it is probably not what you read nor me.
  • First “polished steel” which could be the barricades made of metallic fences ; would dare to inform us of a place in the world where all this is yet dressed in place. I hear not this at all but : – “Palestin” – as it would be pronounced exactly in French for example and/or – “Pal & Steel” – which forms the wall between USA and Mexico now.
  • This information directs us to the State of Israël and the follow up would explain why it is Palestine that you can hear there and that made me understand the political focus where Trent Reznor was actively emotional in a resent. “I get in position against the Palestine” should make more sense in the mouth of Trent Reznor ; as if his real name was Rosner.
  • Then a second sentence “What we had installed for you” which would refer again to previous Pal & Steel and which would reveal concentration camps ; or GANTANAMO or what is left of GAZA ghettoized territories.
  • When you listen a bit more not looking back into the lyrics you would unveil Trent Reznor’s political preference which would define itself as Zionism in terms a radical ideology and conservatism.
  • I will give to you more details as I spent hours working on the “VERSUS” REMIXES by AMONN.
  • Further more the word “Modjahid” as “We’re going to play a new game” would in fact be “You do play a Mojahid” ; a rebel terrorist (PLO was formed in 1965). It is proposed as a phony but the lyrics seem to show up that all groups concerned get instrumentalized like are the anarchists – as they would serve an hegemonic purpose installing a distant mastered CHAOS and a remote controlled panic. Arab translation for Mojahideen is “Combattant for/from the People”.
  • So it seems to be that the most important part of this Opus YEAR ZERO is a resistance politic of a great mediatic envergure in the ideology (reason why the Opus is freely re-distributed open-source – it’s damn free and so friendly – so you grab it!) mixing up a confusion for those who don’t understand the facts. With those phonies ; we can understand all as a cryptographic mapping. Reason why a Spectrograph was proposed insider of the conceptual Album.
  • What you can do indeed is try to listen well again and you will not deny that each word ; voluntary or not – does present another meaning than what you can exactly read in plain ; way apart from the registered official lyrics, the sense can be different. I think it is interesting as a perspective and would help to reveal the true mind of the artist at the time and historical epoch he had got influenced by some inspiration.
  • If this source of inspiration was from – the Above and not from the Below – or from the crypt (the Lair) ; then, it wouldn’t reflect such a divulgation althrough those phonies. It gave real indications about the plane crashes into the Twin Towers-NYC. “You’ve left quite a mess here under your Stewardship” ; while we know now ; after 20 years, this plot or scenario getting mostly declassified was pre-planned by the CIA-Mossad. It is underligned with the documentary “The World after Bush” by William Karel and the journalist T. Meyssan “War and Big Lies-9/11”.
  • In 2001 ; I had met someone working for the CIA (indeed – I cannot tell his name ; I am not sure he even is still alive and didn’t directly explained it – but he was so much influent in cartel milieu of finances and connected to the Pentagon…) ; when the 9/11 happened ; he told me that he was not working for Israëli Intelligence Services. Which already meant: – he knew it would happen before the events even took place.
  • A last perspective ; is the rectification of history made by most Hebraïc radical scholarships. The Palestine hosted the proto-semits : – Ancient Judea and probably the Cannaan region would possibly be where the cradle of humanity had settled by migrations and not originating from the Extreme Oriental Mesopotamia. “What if all of a sudden, we entire humaninty ; discovered we were members of one Jew tribe and family – Instant Karma – John Lennon was then right? Politically and strategically catastrophic!”. You can take a map of the Midde-East and look ; is there a reason why wars are always provocated there ? Pumping the oil stealing the countries trading it as a justification for exchanging expired tons of drugs & pharmaceuticals products is only one indice. Profit & loss is there a deadline. Since Iraqi ; Syria and now the Irangate. Would this justify that many monuments get sacrificed ; sanctuaries are destroyed ; other places where ripped by ISIS-Daesh financed by the Obama administration?. Christie’s UK is now prosecuted because stollen arts from archeological Syrian sites had been auctioned in London. An ideology birthed from Illuminated philosophy replaces now freedom and free speech by this one concept : – In fact ; the true civilization history musn’t be heard – the Truth should never be revealed to the public ; at term if someone revendicated something in this future ; people would claim back their territory and set up a last Nuremberg. The identity of Palestine in term of a Nation is then – simply wipped out from the surface of the Earth since 1950. (I had met a few Palestinians working in Emirates and they had for passport what looked out to be some piece of toilet-paper with a blue stamp). Citizenship ; nationality had been erased. Does it look like a Mission? – Well ; it is detailed in scriptures – there ; it was all over-written (have you forgotten?). While Exodus might not have really happened through the ways we think we know and not at all through Egypt – where Moses was coming from then? – as told by the Christians – the ways of the Lord are unknown to us.
  • If the cradle of humanity rather was in Syria ; Iran ; Iraqi ; it would easily explain the reason why bombings always happened in this perticular area of the world – in an extreme destruction of the cities and populations by NATO. Moving populations leaving areas free to execute some archeological excavations or prospects shall permit to seize, classify or erase entire periods of the human history and especially important Biblical traces and proofs. When the history is not anymore factual ; it can be replaced by sources more “Hegelian” ; the reality is redrawn the way it serves a purpose or coersive, just like a new synthesis. A lie holding a post-control over future religious populations can then emulate a new Belief and a worldwide universalist dogma. Here is the mission. The tool is now prefabricated with a pandemic illusion promoting the fear and the superstition.
  • This overall Messianic Prophecy just became the Utopia of the Global Reset and should settle in 2022 – Year Zero – don’t be naïve or complotist “you’d say”: – even a Wallstreet stock-market crash must be initiated as pre-planned ; to assume a reset of the financial economic system not to leave behind – a complete chaos : – the Central Bank system is preserved by billing prints load of fresh cash for creating like in 1929 – an inflation a bit less harmful – it is under control of the FED RESERVE. Corporate Banks do love the inflationism ; it is much profitable to them as a Keynes practice .
  • If the future ; generations shall not demand any explaination to their condition of life (I think youth prefers to watch Justin Biber & Taylor Swift on the Television) ; they would certainly not either ask Nine Inch Nails why they named their Album Year Zero. This band is a small stone into a giant edifice. They are a small kingpin snail insider and witness of an overall corporate system or productive machinery at their epoch-time.
  • – So where did Nine Inch Nails want us to go with – “Year Zero” – ; what could we learn from their songs as – : Survivalism? A victory of post-Democratic totalitarian paraboots and a Governance methodism? Does it sounds yet ridiculous to us? – A tyranny made by: Your critisizm ; the Government or the mainstream Media?

Sometimes it happens to us musicians ; that we write the lyrics just after they had been sang instantly like automatic for the people. This to justify that a prologue to the concept had ever existed. – But it never did -. It was all an instamatic myth and a fabrication in the form of propaganda ; like a Polaroïd.

No premonition ; the inspiration by Trent Reznor for Nine Inch Nails is the same as the one by King Minos for David Bowie.

It is made from the Crypt or the Labyrinth of Pan. Pan has “pagan and social nationalism” and the cryptology has “cabbalism and communism“. As you had probably guessed. It is there all drawn from Spirite – or a contact with the dead and most influences are morbid Teosophic/Gnostic – ; more than the New Age shown in the song “The Warning”. Therefore ; most of those inspirations that you absorbed as a passive Public and a consumer: are all Luciferian. If there is a good Gnosis ; I can assure you that this isn’t the right one.

The end shall justifiy the means. Those working to forge the mediocracy are in this epoch: acclaimed ; glorified and honored.

I might sometimes have had this ability to lead you to the cave like some White Rabbit – at least during 15 years had I tried my best with my Label Shangrilla-Dolls™ ; then I also had shown to you the Beast hidden in there as I knew yet the entire monstruous scenario: – Year Zero 2022.

I wanted this leaving no footprint into this world – because ; I didn’t trade something vital and gracious with any host at all to get offered with something much better than my mortal lifespan: to lay my head where the grass felt much greener. If I had done that ; maybe !! I would have been rich and also most famous: – it would be such a fatal disgrace…

22 = 0. What you attracted ; you might reflect – the Pyramid of Power.

Nin is violent.

Ask yourself: – Is there any justification valid to such a violence? A psycho-therapy? a psy-Ops?

In the end there shall be a new beginning.

You will be where you always deserved to be ; rather than servicing something evil VERSUS good which could be a treason and an apostasy made to your life ; make yourself a conscience having supported Nine Inch Nails as a fan.”It reminds me that proof is made down here in a passage and the only life we own”.

Damien Veen

“Passions and Politics : The propagandist turn of an industrial music business era”.

Posted in Uncategorized on January 22, 2021 by Amonn+Shangrilla-Dolls™

The XXTh century is an incredible mess in terms of everything. For my artistic part ; it was made creating AMONN collectively and get in the discovery of a perverted system. Function of your political engagement more than a class – things will happen or not. The music industry turned as “The Cult” – we could have named it “activism” also “radical leftism”. So here we are in the now and my task is to be more precise about what I write.

For developing this argument ; passions and politics are just a perfect mix that might justify the fact some Bands are promoted ; some artists get silenced and ignored or left into the dark.

There is a pre-destination having no destination at all into this by the “Passions” – those will flirt well with a modern Cultism as insider of our passions – the “Deadly Sins” bring forward into corrupting the human soul.

An heritage modern since the Revolution of 1917. A sucessful Marxist & Bolshevik frame squaring the modern society as an enslavement led us to the totalitarian corporatist situation.

In 1890 in Russia and by the fundation of different succesful occidental “Orders” are emerging schisms of the Gnostic inherited Sofia (Pistis Sophia) through the Teosophical Society getting into some assemblage with the Malthusian productivism from 1798 ; permuted as a Marxism/Leninism. Other Lodgers settle in Moscow as Magus Papus ; protector of Czar Nikolas II (Head of the Martinist Order). Those reputated groups issued from scholarships being sourced by Gurus of the shadows – will emerge a Mastermind oligarchy (The Pawns in The Game-W.G. Carr) – as a neo-humanist socialism: The Communism (as a Social Realism) and the National Socialism. These ones will decide to implement a productive eco-system ; an industrial progressist reset called the modernism after the Crisis of 1929. A list of Elitist school of thoughts getting predominant such as: – the Fabian Society or the Open Society. They will pursue agendas promoting new administration framework inside States organization (the Plannification/NEP) – we get today as “Technocracy” the conform model of the EU (a copy-paste of USSR State apparatus being also an apatrid Internationalist ideology: you can hear some friends say – “I am citizen of the world” ; meaning they will go to Frater Land ; dealing with more promising conditions of life and less an effort to get promoted – but they are in no case rooted to any Nation it states ; less a culture of origin – nor to their families). This mindset birthed out all our occidental Cultural agenda connected to the Communist Propaganda. We accepted it as fundamental from our education in Universities ; because some part historical was backdrawn far hidden – into the dusty closets of our Libraries. The people do suffer of this contingency althrough the last century especially it pushed on “suicides” as a Romantic spirit – in writings ; music ; philosophy (a form of depression will announce the 1st WW and 2nd WW.). Anarchism is getting affiliated to these same protagonsists (they are the first advertizers: Maiakovsky in Russia) as a tool-axis to engineer the society’s deep-ends by the Universalism as a dogma (desire for something you have not but that a “Nomenklatura” possesses irremediably ; it is shown now public as the rotten-to-the_bone insider of such a political perversion). It is a same axis as in diplomatic Alliances (an Embassy is made to spy a country – at worse ; subvert)- post-culture and pop are at the edge of everything nocive for the public getting hungry with fashions ; giving it a new shape to brainstormers (publicists) and marketers of this deception by naming them “activists”. They have produced a monster becoming now an hybrid with the profit/capital promoted by the corporations and the medias. We enter in an era merging a new model – fascism & trotskyism-leninism altogether from a same mold.

Note well that : -The orthodox-catholic countries always have revolutions happening upon their grounds ; while the corporatist and protestant countries will keep their monarchies as a representative power only. Any socialism will put a term to the Republic and with it an end to the Democratic freedom.

It is the song of David Bowie at reverso depicting the situation in the album “Scary Monsters” with his track title and lyrics “Fashion”. Apart that the sound of the boots had been pacified by a slow -motion revolution term installing the NWO – as the “spring revolutions” act by influent Lobbies through the NGO’s ; those being screens to hide whom supported the financements.

David Bowie “Scary Monsters”

The Art and Poetry are no longer of actuality but comissioned to a tribunal telling what is good or not to consume ; same for a “unique thought” imposing it to everyone is clinical and psychiatric . Getting the reject of a new Academic form trading judgement to a Technocratic sentence ; as in a Talmudic way where “Adonai” creationism is no longer a canonic rule but iconoclasted.

This is how at different levels of the music from the private copy to the open source diversification to the savalge violations of copyright ; the art slowly had degenerated. It does since the appearance of the modern music.

I have therefore chosen to finish the remixes of this visionary Album by Nine Inch Nails -Year Zero ; because it is the situation in the now with the Global Reset.

2010 was Year Zero as in advance of 2020 like if the band had been initiated.

I use this work and the music I did to critisize both the dramatic ideal ; the utopia and also the diarreah of uninteligible sounds that I can review all the time listening to what is proposed by publishers. Changing it complete as re-arranged : putting my salt insider of a re-harmonization. The original music having had no belonging insider of the Academy : the harmony.

Could it be harmonization of a single line or a musical swap to a 3th or 5th if not a 7th chord – all of this there is inexisant in term of performance (monochord or mono-tone) but it remained much popular using by force of propaganda by the edgy of a darkness ; an agenda of publications free to download and fanatic arguments that are not so legitimated as they are all “lies” depicting the lie within our mainstream society. The arguments there are much activists to reverse the logic – by lyrics mostly and by the concept side – as a post-Hegelian confusion. The art became a propagandist tool and is no longer art – but a doctrine being figment of a stone brought inside of the Pyramid we know. This would represent the dilemma issued from the workshop of all a generation descent from the 1950’s baby boomers.

In these terms and application to my workshop added re-engineering Nine Inch Nails – Year Zero from the sources – is made by some build-up in the demystification.

  • These ones acclaimed Mao or Pol Pot ; dreaming of a world united ; a world depersonalized and a social democracy. A crescent added to the fundamentalism – a tyranny.

1°- An artistic demystification ; as the lyrics had no “mask” to explain the ideal of the plannification as a plannification Stalinian without the Nationalism but in the profile leading the entire world to a comunautarist model of totalitarian society. (TOOLS: Climat Change ; Pollution : Healthcare ; New-Needs ; Warnings ; Collapse…) All those arguments are held by Saul Alinsky‘s group organisations ; Schwab’s WEF. Influences from the Scolarship at the LSE.

2° – Per a demystification of the heroic model. The superhero here is Trent Reznor. He shall be seen a modern counter-fighter an anti-nationalist and adopts the intelligence servicing Psy-Ops as a factual sum (what we know as “Q” today, described as a complotist theory) – unverifiable prefabrication or concentrate of informations made an illusion brought to the people to consume and absorb in the deconstruction of both : – the civilization and the art ; by an anarcho-structuralism (data-warfare) getting in a replacement to it – a new normal ; while there is a good form of anarchy with the uniqueness and its property quintessence and a one chaotic as universal without the ownership : – from there ; nothing much “bright” nor instinctive or good and providential should emerge. (Cogito Ergo Sum = Zero ; a quantitative and qualititive – results the hedonistic enon ; where the aboslute 0 leads to the void – the negationism = Capital G vs GOD).

3° – Per an apology of the classic music brought to restructurate the noisy or industrial. Transfiguration of what was noisy and deranging or also deranged – into something beautiful and ordered. A single melodic line and a reassembly will make Trent Reznor voice and lyrics beautiful and sensual.

4° – Per showing the damage yet done to the brain and psychism of the adolescent both operative and speculative (a future idea of the low profile as a degeneration of intelligence) in the way edgy activism and ideas passed through all generations, they get Pavlovian and reflexive from the genes (another form of programmation). Corrupt all amongst the marketings by propagandist mechanism or ads. This is explained very well by the USSR transfugee I.S. Thomas Schuman in the 80’s. The sound & the voice shall be mastered as in – Meet Your Master. – “A French analyst at the Atomic Energy explained to me that the CNRS was looking for a cryptic new form of language to explain to future generations that there was a potential danger to approach where storages of Atomic Plant’s waste had been allocated. It needs an “appropriate-warning simple to comprehend for a low IQ” about the danger digging into those contaminated barrel compounds”.

In other words and to conclude here : – The identity of the band Nine Inch Nails needed not to reform. There had been attempts mostly promotional ; a marketing change to split the band as a rumour and get the buzz ; being for me the last heritage linked to David Bowie – in terms of a reference.

In first they had embrassed a profession and they had to be politically correct to enter the Hollywood Movie’s Industry by a slight opened doorway. To legitimate this way – they let the public think that they do it with no support and the Legend is thus created (The Social Network/FB start-up was financed by the CIA support having invested 500.000 USD upon M. Zückerberg). In any service agency Mossad ; CIA ; MI6 ; to obtain a potential efficient agentur – is created the “legend as a kingpin”. The legend helps to promotes the agent adopting it – to infiltrate a professional milieu that he prior studied. Same in the music artistic industry and any art it states (Angelina Voight Jolie entered as an Ambassador of the United Nations for she had a predisposal and the connection): you will trade your soul to adopt a milieu and swim in this swamp up to the hall of fame. We can translate this by clothing a sheep-clothe and adopting the wolf-skinned politically correct. We cannot remain much naïve anymore. Cultural Affairs are the best way to promote a doctrine – art is a tool used for manipulating the public opinion. There is no other way to Hollywood ; than adopting a satanic ritualism and get thus granted into this private club from a membership. You served well your Master ; therefore you’d get Awarded.

  • You get Adler’s book The CIA Report & New or “How will look the world in 2030” to read in plain and you won’t have to read Year Zero lyrics – this project was inspired directly from there.
  • It is not the world how it should be – it is just the world how the Bilderbergers had it prefabricated.
  • Once I heard Reznor speak in an interview about “there are too much people”. Was he speaking of depopulation or eugenism or was he speaking of the business milieu ? Beware what you would amplify exactly as it is a dangerous responsability ; the borderline here is very thinRather a Zionist product of the Noahshism : – Everyone gets embarked into a paradox where the parabel defines the Noah-Ark ; a space is reserved to rescue a very few after the Pandemic and Davos Economic Reset. “Chosen Ones” is illustrated in the Messianism. As you will see : – GOD GIVEN is probably taken out of “The Armageddon”… sadly it isn’t the GOD of the “Revelation”.
  • Nine Inch Nails parabels had so many confusions it looked like fables – commercially speaking the influence of this Band is a damage and a deprofundis brainwashing anyone not understanding the basis historical with its turnabouts and few politic or economic mechanisms. If you are well educated about turnmoils issued from the Global World Agenda ; you will laugh seeing the elephant inside the corridor that everyone had ignored. It needs to have done your own research – step-on crystals not breaking them ; don’t get distracted by mass anarchist impulsive and uncontrolled movements out there as they are financed by large and influent Mastermind groups of reflexion as Lobbycists influencers of the civil legislative to exectutive state apparatus. Get for yoursef a solid background to deliver a proper argumentation before you agree to buy something for granted.

I had seen this approach everywhere it states by my experience of the life, some people dreaming to buy an Aston Martin yet driving a Lamborghini : they were in fact no socialists but pretended to be. They’d do anything to run the red carpet of the Alley of Fame but here, the art and music is just an artefact. It has a common sense to the public charity that it wasn’t a toy for entertainments : what the mainstream media shows to you to see looks absolutely a perfect tour of philanthropy – but it is not the truth. It is what can be sold.

Then I don’t think that Nine Inch Nails ; David Bowie’s ; The Rolling Stones career – are much legitimated in art. I make this statement that the mission is beyond the talent or the art as a subversive systemic demoralization and it is the strategy. – They rather look getting to the edgy and falling into fame as per this flame is the disgrace. A clownery ? I see studios well equiped and financed – potential budget – but not a revelant need of all this technology to assume the apology. Where is the moral of the story ? We didn’t even speak of a morality.

Bureau of Morality – Iconic subversive infiltration
  • Acts are your personal responsability ; therefore stands a moral before you in the trial to any of your acts – with no God above you ; you have no liability applied in any protection – nor here ; nor in the afterlife. -“All my trials, Lord will be remembered ; everything has changed” (David Bowie – Sunday)
  • Trent is now isolated and in this final statement ; he is victimized by his own beliefs and ghosts (Nine Inch Nails) and the milieu he had slowly adopted to end-up like a conformist. He is conform with the milieu ; he reveals no Apocalypse ; therefore he stands in a perfect fit to the NWO ; a conformity with the mainstream of this ideal-socialism ; “the promised land” (B. Obama) ; the terrestrial Jerusalem.
Iconic Internationalist Bureau – the conspiracy

It needs more than this to get into the honor and demonstrate a dignity from an art that is not tooled ; perverted nor toyed. It needs factual to show you are no doll by its puppet-master.

  • I had not yet read any factual and argumented basis of source information taken out of NIN. Misinformation ?” Deconstructivism could be intelligent. Watching their interviews ; I never understood any argumentation it stated – valid to assume clarification of a clean-standing conceptual idea.
  • Brainwash ?

Other examples – as getting into the obligation to sanctify a dead band or artist would result in pertaining your “self” not to be torn apart ; reveals itself a show-biz drama. It was the challenge between Nine Inch Nails staging with David Bowie (to keep-it-up). Congratulating people entricist of their vowed milieu ; ending-up in : – congratulating themselves esoterically – as an inner Cult ; center of a same Circle appeals to the navel = Hedonism.

An endless deception and the counterfeit pathway of all propagandist history is there to depict – as a phenomenon totalitarian pertained in all arts at industry since the XXth century began:- philosophies ; politics or economies and sciences.

Demystifying the fake “getting unmasked” must be done by : doing “good” in no mission to oneself or to the others – good is an absolutism and an absolution here to have effect as a genuine revision. Remixing stands as a revision like V2 by AMONN and a reinterpretation ; as when the future generation will soon or later discover such a pathetic history or understand that art and cultural history had been programmed for them to be consumed by human passions and not to see with clear eyes.

I had no choice saying : “I want to finish re-arranging and remixing in terms of production – than by finishing the job I had started 9 years ago with 4 tracks yet achieved and named Year-X NINMIX V2. When all of this trial is finished and presented at Soundcloud as Samplers – 128kps – I shall proceed to master finely for a 44.1KHZ PCM at 24bits layout.

The support could be a double CD or a mainstream Media – I am not sure yet but I want to invest for two reasons : – I do place myself being a resistance “AMONN vs NINE INCH NAILS” in the production phasis & finality because I do estimate I am not part of a big ideal nor deal. My ideal of life is not ambitious as a rock ‘n roller ; I see now very up-to-date how the working class heroes of the music business industry have had such a malfunction. And this is not even a personal statement.

  • “I do it and will drink the cup until the last drop” – I said to myself – you will like it or not – let’s take the sake for poison – “it is my last workshop done upon any Remixes ; there is no way to continue this without getting crucified”. It must be accepted thereas interpreting Nine Inch Nails in a way much different or another positive comprehension ; in an inverted edgy-way where once iconoclasted into deconstruction ; it won’t be any longer possible for the “fan” to revisit the original Opus.
  • – You would ask me do you dislike Nine Inch Nails at this point to get into this? . No ; I liked the professionalism in the way it has been led as a career. I do remain a Monarchist but my patriotism that is left inside of me might not help in getting a very good friend with Trent Reznor because I see his fragile. The weakness might be the education he had inherited. It can be the place at the start being with yourself young and isolated – but it was the right country to get everything at best and to handle this band to succeed and well – at the right time. All is matter of being at the right place and at the right moment. I am well initiated therefore I had to work very hard to have AMONN done. My own family held a considerable educational heritage from Latin to Greek scholarship. I do not envy his “position” in the now at all because I am in the mesure to analyse it – to say so I will add after reading what I wrote again – that I prefer to be able to critisize as it means I can have a good spirit ; a luxury that he is deprivated from where he stands in this end. I simply have no pity for any deviant nor subversive unjustified : politics are at this epoch building-up fast and amplify very dangerously humanism in their passions : humanism has no “humanity” . There shall be no reward to take into this in the endI shall always avoid any of this corruption form.

Another form of the deconstruction getting valid. A new reform shaping value to the art…

– Damien Veen

http://www.shangrilla-dolls.space

Myspace Amonn deleted…

Posted in 3-D In-World Design, Albums, Art, Marketing Techs, Social Network, Video on September 6, 2020 by Amonn+Shangrilla-Dolls™

After 15 years of service : Myspace AMONN is gone to be replaced by Shangrilla-Dolls™ website complete Media at :

http://www.shangrilla-dolls.space

Amon Neve is a redirect :

http://www.amonneve.com

Shangrilla-Dolls™ is a Small Media Venture ; it is genuine and it holds these units :

  1. Shangrilla-Dolls™ World is an OpenSim Gameplay with Avatars settled upon a private server – giving a genuine 3-D perspective to the new Media.
  2. Amonn+Shangrilla-Dolls A&R represented at Bandcamp : holding about 200 titles from 1999 up to 2020.
  3. A Radio Station “Station B” Shangrilla-Dolls Broadcast having a thematic Darkwave ; Retrowave ; Coldwave.
  4. Video-Animes : different projects proposed ; movie tributes ; band tributes ; Amonn music ; more…

To navigate pick up the up tabs or the below icons.

H.R. GIGER – R.I.P.

Posted in Albums, Creation, Video with tags on October 27, 2014 by Amonn+Shangrilla-Dolls™

First by making this article again less private ; it would be important to understand the dark path that Ridley Scott is servicing. Maybe I wondered – if he had not even a full presumption in what a Dantesque hell he’d get into al of those years – it is not only through his Legacies with franchises – it is in everything masonic and cryptologic – that you understand he serves a deeper purpose as a social engineer payed working through the entire movie industry.

Making a film and having power of the media to do so ; will never justify the full junk of lies he had led us into…

Both Hans-Rudi Giger and Ridley Scott met because they do ressemble in their absolute negation of the life itself and of the creationism ; as their life had been drained in hardest times losing faith while gravedigging family or lovers they cared for. In death ; they therefore shall meet again.

So the world of machines and 3-D is very cold. There is no elemental fire to keep you all warm. There is no Hephaïstos either to discuss with. Maybe it is a place not to dream but to create illusion and something only existing upon a vaucum plane. During more than 4 years it has been to me an initiation to the technics in 3-D ; now it is a bit old and something new will emerge.

Saturday, 12 April 2014 

Statement on Sending the AMONN Video to H.R. Giger Facebook : “God Bless…”

Tuesday, 12 May 2014
Statement on The Passing Of H.R. Giger… : “I can only remember what Leslie Barany told to me years ago over the phone while I worked upon CERBERA album : – Alien is not the only artwork Hans Rudi Giger has done in his life ; his research is exhaustive…”

I have created a video very strange because I thought that well ; H.R. Giger artist was a darkened occultist but he had not lost his faith. He just had maybe encountered hurt and pain in his life having lost his company being his girlfriend. Finally I thought this artist is a bit like me except I had to fight with myself not to be lost and see the light into the other side of the tunnel… It is Plato with the cavern myth also…

Amonn / Cerbera

Amonn / Lilith Moonstone

In this video named Ankh-Ros as the AMONN Cerbera album edition – there is a cell like prison and it is split in 2 ways – one way shows one dimension or planet with a corpse that is covered by linger and below lays a lady. The symbol is that the lady is sanctified in a mystic way and her body and soul gets returned to the monster Alien. Also there is Marthyluck model feat. upon the Album Lilith Moonstone : she is seen there also as avatar and she is waiting for something into another dimension – she is waiting that both monster and lady get liberated from the cage – possibly they are locked there waiting for a very long time and caged. Young ladies having been gifted by God of both the beauty and the intelligence have no interest for young men at all nor a desire – they long for a thirst to know and get served with teachings. Then the time has come where they get a liberation and possibly subconsciously introduced into the video-machinima Marthyluck is the reincarnation of the lady having been the love of H.R. Giger in his youth. It is a darkened atmosphere but there is haven of the second room – kind of Lazarus stand up and walk idea – I think Marthyluck model and H.R. Giger should meet. 

ANKH ROS by AMONN (Album Cerbera)

MarthyLuck

Then ; I had lost the statement : they cannot achieve to meet in this one but those who belong in hell would do it in the afterlife ; then she can ask him to make her Lilith again.

I had bought H.R. Giger ULTRA limited edition book about ALIEN workshop in december 2014 for my birthday : my book is under my name from Morpheus number 69/350… I have had a patience with many girls but now I do not care to declare achievement of a research into any mystic erotism through the music. Maybe I became technic. But now I am wiser and it is for a long way. I felt something would have happened not that I wanted a relic as it was the forge of Hephaïstos (Loki is the God of fire also in R. Wagner “Das Rheingold”) but I was prescient to it ; I don’t know why – I felt this one master of workshop will pass-away… Loki Tetralogy – God died but this profund Gnostic was a monster.

I do desire to leave this chant for him. And also for persons to listen and to get a thought and also a prayer – that his soul is not wandering much into the limbos ; in having had a thirst at Lethe source through his darkened art.

– So ; God bless and  R.I.P.

P.S. : So only yesterday I had to use the Spiritual theurgy for H.R. Giger (I am just a catalyst ; though I never do that anymore but for his memory I did an exception and touched Faustian fire a last time in this life…) ; I was alone and a bit sad and I wanted to know where he went ; so I had lightened a small incense below a Russian icon and here what was answered to me in German, signed with his signature ; I have to let the testimony here for his family if possible – I’d scan his signature – I see yet : – he is a monad and still out of his body for a long time but safe (the world of machines is very cold but the darkness too). As he can see himself from faraway in some place we could call Heaven maybe ; so here what had been sent as a message that might address to a beloved One :

hrgiger

Glyph & Signature

-“Ich bin ganz schuss, es ist keine verlöre als ich mich  ins Paradisum sehe ; du hast mir verstanden danke sehr. Ich bin freï und ich habe freu. Keine angst mehr. Du hast mir Licht gegeben um Gott ich dir danke : – sehr Liebe”. H.R. Giger.